a1. gunnar hemmerling: phoenix asteroids (w+p l & g hemmerling) growling drum and bass patterns meet sharp chords in outer space. a2. lars hemmerling: freebirds in a cage (w+p lars hemmerling) back on the industrial trail,drones and noises here in a detroit approach. b1. lars & gunnar hemmerling: twin peaks (w+p l & g hemmerling) the titletrack offers a arm sounding journey with a mellow/lost melody that fits perfect the next afterhour. mastered by cem oral cut by stefan betke. the label is run by lars fenin aka fenin who has released on such imprints like: echocord, shitkatapult, meteosound , etc. and lars & gunnar hemmerling ,the dubby-twins who are known for their variety music journeys as dj team and their releases on eintakt, fullpanda etc.

royal athlete returns with yet another collection of loco party weapons, inspired by the hot pony club in berlin curated by vexkiddy and antoni maiovvi. first up is hot pony regular baxa, the korean disco king, offering up a cut of dubbed out funk gold with -i m not kool-. next up the man, myth and legend that is fiero, channels the spirit of -soccio- for a strong eurocrime groove with his track -standard hotel-. on the flip we open up with berlin newcomer don chrelli who s track -tonight- plays with smooth electro-boogie, spaced out fx and a killer vocoder hook. finally finishing of this wonderus ep is heartbeat stars with -obsession-. produced by everyone s favourite feline lazercat, this spaceage freestyle slayer is heavy on melody, funk and emotion. all tracks mastered with love by manmade mastering berlin.

the energy and versatility were used to when reinier zonneveld takes the decks is immediately evident in his latest ep. opening preceedings with sharp bust, a straight and to the point trancy bassline leads the way. decked by mechanic stabs and hi-hats, the groove is simply hypnotic and relentless. rushchamber, on the other hand, bears a subversive groove, with a minimal and dark bassline. glitchy cut up vocals give an eerie feel, as the whole atmosphere becomes more and more immersive by the way of multi-layered drums. the final offering, flatchat is anything but flat. its intricate groove shares the dark and immersive territory of the previous track, while another set of cut up vocals draw instant attention. a descending lead padded with reverb and stabby synths, the last track rounds up the release, ending on a grave and intense note.

100% cotton, wash in max 40 degrees, made in portugal, t-shirt, straight fit, light material, long cut

ruhig comes back after one year with particles ep as first installment of a double ep on midgar. the record opens with particles, an atmospheric detroit influenced cut made out of synthlines dropping like voodoo spells, epic pads and fragmented beats. eddying follows up with a more direct approach to the dancefloor, 4/4 stomping beat and thin hi-hats backed by lasers and passionate ambiances. etere on the b-side gives the records an halfway breath, sounds like a late afternoon walk in the fields of a southern countryside village (with constructions going on somewhere nearby), before to start again with the sweet and eerie perle, where droney pinching drums are flooded by a swarm of dreamy fireflies. idiom to close the ep with a fast syncopated cut, showing the approach of ruhig to any form of musical expression and genre, far from traditional ambient or deep techno and going further, to reach out daring and more demanding levels.

hard currency from pirac¥ debt$, live and direct on the a, with 15 minutes-plus of loose change from dj sotofett on the remix. mastered and cut at d+m, out on 12 inch

the first in the brand new white label series from newly formed collaborative effort track and field, a group of likeminded producers and djs from london.

energetic and raw lo-fi organ electronics. a simple and mean builder, then revealing the beauty of a beast. harsh kicks and high notes on a crisp distortion flatline – all performed and recorded straight to cassette tape in on take. the honest follow-up to te&#769,,le&#769,,phone – wanna call the police? mastered & cut by matt colton.

rora logo shirt 100% cotton. size relatively small/skinny cut near m.

hand numbered limited edition of 300 copies on 180 gram high quality lacquered pressed solid black vinyl. all tracks have been specially remastered for long cut vinyl format by alek stark at fundamental audio (madrid).

the box contains 7 x 12 inch vinyls, is sealed in plastic and features 28 fresh tunes by 28 artists. a download card for all digital files + 4 mord logo stickers are included in the package.

midwich is proud to present magas’s heads plus, the first proper vinyl release from james marlon magas since 2009’s violent arp. for the past several years, magas has been concentrating on instrumental production, eschewing vocal histrionics of previous work, in favor of moodier, more open-ended composition. this focus has resulted in the bombastic and hallucinatory heads plus, an all-instrumental wallop that fuses howling arp odyssey, capricious juno funk and fuzzed rhodes anchored to the ever-present throb of the roland tr-808 drum machine. freed from vocal constraints, heads plus conjures a cinematic ambience where light and dark wrangle for dominance in a dystopian post-techno near-future. plowing ahead with gleeful abandon, this 5-track ep is a take-no-prisoners statement of intent. heads plus is mastered by ruud lekx (rude 66) and cut by josh bonati at bonati mastering in nyc and comes housed in a eye-popping full-color uv gloss jacket featuring artwork by renowned sci-fi illustrator, mark salwowski. layout by designer beth hall. the vinyl release includes a download code.

glenn is back with 4 more tracks reworked in his distinctive style mixing jazz and chicago house. candido’s “dancin’ and prancin”, a party cut with all new percussion plus one by eli’s 2nd coming, a paradise garage/musicbox classic b/w fatback band’s “all day” and a dope earl klugh jazz funk jam!

the lead track of the ep delirium, takes influence from a number of sonic avenues providing a considered cut of dub-techno inspired house. the pairs ability to handle percussion and carefully manipulate samples results in a sophisticated swung drumbeat sitting neatly over an addictive dubbed out stab and mysterious vocal sample.

merc return with the first in the next phase of e-versions!as ever, mark e s best selling and precision club jams project delivers big things for discerning dancers. weve witnessed first-hand the damage that a side cut horn jam visits on a sweaty dancefloor, with its insistent frug and layers of rising synths - a hypnotic bomb as only mark can deliver on the flip sanctified makes a meal out of a killer soul sample, working the arrangement into waves of subtle frenzy a masterclass, as ever merc to the future!

including instrumentation from dave harrington of darkside contributing electric guitar, alluring vocals by lorraine nicholson for on & on and dan whitford of cut copy fame, who helped record the synths.

simple enough to come true (lag005) is the debut solo e.p. from l.a.g. label boss arthur kimskii. the ep contains 3 cuts. simple enough is the emotional big room cut with trippy vocals and rolling bass and big kicks. she survived playfully uses noise elements and reverb. the producers ny/nj influences really shine through in this deep house/techno cut.

brstl returns with two house cuts from jay l, his second release for the label. started in 2011 as a means to highlight house and techno being produced in bristol, the label watched over by shanti celeste and idle hand’s chris farrell is now into double figures.show me on the a-side is a finely constructed piece of house music aimed at djs and dancers. anyone who saw jays recent boiler room debut will know his musical style, steeped in classic us house, soul and boogie but with a tastefully bumpy uk edge. the b-side blue age is a deeper cut living up to its title, all wistfull piano keys and a subdued bass line. this is jay l and brstl doing what they do best, sending vibes from bristol to the world.

shanti celeste steps up with a full ep after her amazing strung up track from the recent future times compilation vibe 3. big tip! she uses the full a side for the killer being, a nasty dancelfoor cut that balances sleek, precision drum patterns with cool, showerdown melodies that haunt the feet and the mental. the b side starts off like a lost cbs slow burn cut with good spirits, an exercise in machine romance, and ends with an ambient mix of the a side, to drift off into space with. shanti is on.

the first compassion cut is the deepest. ethiopian funk mob admass accidental houser * kalatashew waga* from 1984 gets a reissue (and a remix from long-time fan andras fox). restored and mastered by thomas p heckmann. hand-stamped 12 inch, with a debossed mpr logo on sleeve

another solid va on the prruk imprint. usual suspect yan cook opens up with the sturdy techno-cut *canyon*. steve parker delivers some hypnotic acid business. boys of the moment twr72 come up with an intrusive bit of strongarm techno. alderaan closes down this ep with his arp anthem xem.

dyad present the first instalment of their common purpose series. christian wünsch sets the tone with *fluid mechanics*, a masterclass in dynamics and repetition. this is followed by *binary*, a hypnotic warehouse techno cut by up-and-coming uk producer setaoc mass. on the b-side argentinian producer mental resonance contributes a sophisticated arpeggiator-led cut with *reduction* and to round things off is reflec, another highly promising uk producer who weighs-in with his industrial techno destroyer*the war horn*.

maneuvers to dresden for the dunkeltier missonen. follow jaw drop debut rising for macadam mambo edits, sneaker dj dons persona for 4 cut n pastes of library, ebm, industrial und proto groove musings to neu welt orders. bahnsteig not beige balearic nu disco shite edit machine but searching deeper. speigel tv is youth reminder of joke time aber now for the tanzfloor. groovy. cruisin generates proto 4/4 hymns for dose of 909ers. tear it down does so mit electric body punk funk

cromby is an exciting addition to the london house music scene: originally hailing from belfast he has made camp in the british capital and brought his mpc 2000 xl with him. the young man who has grown up listening to chez damier and moodymann makes use of the japanese sampler from akai in a highly fresh and creative way combining raw drums with sweet and melancholic pads and chords. on his * planets and parks ep* cromby displays a very nice balance between a traditional deep house understanding and a forward thinking attitude and is thus just perfect for tenderparks’s idea of musicality. as far as the artwork of the record is concerned the beautiful black and white image is the last part of tenderparks current series concieved by art director till sperrle and photographer magdalena bichler. and as you ve come to expect from tenderpark all tracks have been mastered and cut by helmut erler at dubplates & mastering once more.

justin harris, half of freaks with luke solomon, and label manager of music for freaks, arrives to musex industries with a new vinyl release, titled -beach life ep- 2 original tracks by justin, who comes accompained by an excellent producer like lil mark, remixing -i wanna go on- the second cut of this pure house release.

argument #03 is the third instalment in cage suburbia’s series of argument ep’s, as well as their first 12” vinyl release. it shows the duo of haunter records’ co-founder daniele guerrini (also in heith) and matthias girardi (aka weightausend) raising the confrontation level to a new high. mixing their technoid barrage with jungle breakbeats, noise and dub techniques at various bpm speeds, they do not fail to deliver the usual amount of radical acid distortion. as with the other two ‘arguments’, this ep represents a heavy anti- authoritarian stance in both sound and concept. ‘rob the bank. kill the guards : sampling klaus maeck’s pirate cult classic ‘decoder’, cage suburbia openly call for cultural infection and street-wise spiritual resistance. this is punk rock for the paranoid age, insurrectional party music, intelligence research for the funnier side of destruction. as always, it’s been cut and edited from a series of improvisations on hardware samplers, drum machines and various sound sources, recorded live from a stereo output. comes with a set of stickers to incite riots in your neighbourhood.

lush house and surf ridin techno from italian producer lock eyes. coming from within the heat-wave drenched depths of puglia, lock eyes tracks are a crossroads where harmonious polyphonic synths meet rough-cut vintage drum patterns and sun-soaked dreams of future nostalgia.

can t joke with dexy is the opener here and is a bumpy, edgy house cut with tense and nervy keys jangling above a roughshod drum line. it grows ever more dark and comic and things roll on before faith is a more breezy, airy house groove. the drums here dance a nimble dance, thin synths and emotive chords all come in rich layers and a lo-fi percussive line proves how frey can conjure up idiosyncratic sounds with ease. like its title suggest, ghosts is a hauntingly atmospheric track with icy hi hats, pixel thing and hugely melancholic chords and harmonic bells all adding a sense of calm and serenity to turbulent drums deep down below. lastly, scale is a sub 100bpm crawler with fat elastic synths strung up between lazy kicks. two filtered spoken word lines add plenty of weirdness to this soupy bit of cosmic seduction and round out an ep that is stuffed with fresh ideas and great sonic invention.

moscow based dj and producer ol is the man behind the 12th release of wilson records. he has dedicated the ep to one of the main moscow’ spots since the mid 90s, victory park, and to all the people he has met there during those years

joe cowie aka kahwe has cut his teeth in the clubs of north england, warming up for the likes of levon vincent, ben klock, leon vynehall and prosumer at his selective hearing residency. meanwhile, his first two eps on anjunadeep have been acclaimed by resident advisor and supported by laurent garnier, larry heard and mr. g.

love potion is very pleased to introduce this killer 12inch by viktor birgiss. after creating some serious buzz with his live set at the impeccable sónar festival in reykjavik last year, this 12inch is further proof that the dude is full fledged. tomorrow is a gorgeous deep and twisted melodic cut, topped with a soothing vocal. on the flip you find shine and my neighbour.shine is a warm and bouncy cut, perfect for the summer terraces.my neighbour is more direct and raw, drifting on a rhythmic swell of percussions and a hypnotizing vocal loop, it really sums up this ep and what viktor birgiss is capable of

candido cameron was a cuban percussion maestro who had played with luminaries such as dizzy gillespie, buddy rich and count basie throughout his illustrious musical career which started in 1952. fast forward to 1979 and candido finds himself caught up in the disco boom that had engulfed his adopted new york city. feeling he could add his trademark quick-fire conga and bongo playing to disco s straight 4x4 syncopated rhythm he cut some records with legendary nyc label salsoul. the fruits of this partnership were 2 full length lp s and a handful of 12inch singles that changed the face of underground disco.

trp005, i have a question , explores subtler and slower tempo variants on trips sonic signature than the tougher-sounding 004. in addition to another modular cut from nina kraviz, lets do it, and tracks by bjarki and population one (terrence dixon), trp004s k-hand (kelli hand), roma zuckerman and vladimir dubyshkin all return, while fred p and dommune s dj sodeyama both make their label debuts. kravizs edit of fred ps higher mentalism gets its official release following its appearance on her dj-kicks mix in early 2015. another highly anticipated stellar package to round off a seminal first year for nina kraviz trip label.

as björk continues to make waves in the electronic scene, we are now presented with exclusive remixes by boundary-pushing artists and djs selected by the icelandic artist. the vulnicura remix project will be released in very limited quantities for collectors only, as a series of single-sided etched translucent 12” records including download code, each with their own unique etching & die-­cut vulnicura wound sleeves, designed by m/m (paris).

as björk continues to make waves in the electronic scene, we are now presented with exclusive remixes by boundary-pushing artists and djs selected by the icelandic artist. the vulnicura remix project will be released in very limited quantities for collectors only, as a series of single-sided etched translucent 12” records including download code, each with their own unique etching & die-­cut vulnicura wound sleeves, designed by m/m (paris).

evoking the old spirits of the earth using modern technology, pierce warnecke and arik hayut embody the truly terrible and awe-inspiring aspect of gaia in their tribalistic doom-tech rhythms.

as björk continues to make waves in the electronic scene, we are now presented with exclusive remixes by boundary-pushing artists and djs selected by the icelandic artist. the vulnicura remix project will be released in very limited quantities for collectors only, as a series of single-sided etched translucent 12” records including download code, each with their own unique etching & die-­cut vulnicura wound sleeves, designed by m/m (paris).

as björk continues to make waves in the electronic scene, we are now presented with exclusive remixes by boundary-pushing artists and djs selected by the icelandic artist. the vulnicura remix project will be released in very limited quantities for collectors only, as a series of single-sided etched translucent 12” records including download code, each with their own unique etching & die-­cut vulnicura wound sleeves, designed by m/m (paris).

agent side grinder is considered one of the present leading bands of synth wave and post punk in europe. this ep includes 4 tracks of their hardware album pressed on “long cut” format for the very first time. synth punk and “band” electro wave compositions for one of the best male darkwave voices of the moment compared many times to david gahan (depeche mode). limited to 300 copies with 350 gram sleeve (metallic ink impression) – solid black vinyl

after a succesful remix for monkeeplatez second vinyl cut, greenville massive returns to the berlin house imprint to release their latest 4 track ep with their characteristic melodic house sound with 2 original tracks. on remix duties the duo has invited monkeeplatez´ own eintier. young fast-shooter dayne s delivers a deep house cut to complete the package.

as björk continues to make waves in the electronic scene, we are now presented with exclusive remixes by boundary-pushing artists and djs selected by the icelandic artist. the vulnicura remix project will be released in very limited quantities for collectors only, as a series of single-sided etched translucent 12” records including download code, each with their own unique etching & die-­cut vulnicura wound sleeves, designed by m/m (paris).

the imogen label launched back in september with a pair of ilija rudman remixes of london acid jazz favourite brand new heavies. this second release sees them change tack somewhat, adopting an archival focus to dig out two tracks by croatian hero ilan kabiljo. known mostly for his 90s work, kabiljo comes from legendary croatian music stock - his father was composer and musician alfons alfi kabiljo. this expression 12inch sees imogen dig through the ilan archives for two rare and unreleased tracks records in 1990, with a side cut cool nights a supple midnight saunter through jazz funk that highlights kabiljo s compositional class. golden days is just as good as sounds like a loving homage to the 80s.

label founder mire composes the debut release on nuthe recordings. hailing from east london he sets the tone for the label with his own vision of techno and experimental music. the first track on the ep is distorted silhouettes a dark pulsating, bass heavy techno cut. sitting on the flipside is entropy this is more melodic, with a twisted analogue synth lead throughout and a pumping 4x4 kick. the final track is a haunting droney soundscape which which cuts like a razor at points and tails off as an outro into whats coming next on the imprint.

the mighty shanti celeste makes her debut for apron, backed by a killer edit from the one and only funkineven on the flipside.

shift work are an electronic duo who have previously released on jd twitch’s glasgow label optimo. they debut on houndstooth with ‘document ii’, an ep developed from live jams on outboard analogue gear. ‘abandoned hands’ is lean and raw, an angular bassline and indecipherable vox punctuating the relentless 4/4 kick drum and pattering percussion. ‘sbfm’ is fuller-bodied, with the modulating bassline taking centre stage, draped in loose synths and topped with a deadpan vocal refrain. shift work invited remixes from their associates, with dva damas dialling down the tempo and stripping back ‘abandoned hands’ further still, whilst factory floor return to remix duty on houndstooth with a typically subtle yet infectious building groove. cut and mastered by matt colton at alchemy and limited to 500 copies worldwide.

comes with exclusive cut out gatefold sleeve and download code of the album.

philadelphia-based producer maxine & cleo joins the argot fold with his mad blanc ep. the follow up to his “pendergast ep” for material image sprung from a few weeks of feverish production during the spring of 2014 and represents the duality of the kansas native’s sound. side a is full of gifts for djs in the form of “flynn rhythm”’s relentlessly jacking house grooves and the blurry-eyed deep house pleasures of the title track. flipping the record reveals the more fragile side of maxine & cleo, courting home listeners and after hours crowds on the spirit-conjuring spectral house cut “mind is spinnin” and the dreamy “proto”, gliding on thrumming pads and gilded with vocal slivers.

solimano returns to his unlock recordings imprint with two mellow house cuts, featuring a pair of imaginative reinterpretations from fellow argentinean’s barem and deep mariano. originally established to promote latin american productions in 2004, unlock recordings has since hosted the likes of jorge savoretti and guti. its founder, gonzalo solimano, has proven himself time again as a label owner, dj and producer, working as a ‘mr. x’ at red bull academy for almost ten years when not performing at the likes of creamfields buenos aires, south american music conference and space world tour. ‘learjet’ is a low-slung groover complete with organic samples, bass guitar licks and a hypnotically looped vocal sample. up first on remix duties, minus regular barem subdues the raw textures of the original to generate an understated rendition, whereas get slow founder deep mariano takes it down a percussive route where an infectious rhythm is accompanied by dub inspired synths. finally, ‘calling again’ is a sensual deep house cut featuring the vocals of sophie taylor, known for her collaboration with mathias kaden, among many others.

>flow motion< often is considered one of their more accessible releases - featuring the classic track >i want more< and the baleric title cut, cited by fsol, aphex twin, mars volta, and countless others as a major influence. 7 tracks, picture sleeve, 180g vinyl + mp3
-flow motion-, das achte studioalbum von can, wurde 1976 bei virgin veröffentlicht. das album ist stark von cans liebe zum reggae beeinflusst, der erste titel -i want moore-, fast ein disco-track, wurde als single ausgekoppelt und erreichte chart-platzierungen in deutschland und großbritannien.

- die lp erscheint als 180g vinyl inkl. mp3-download codes

credit
irmin schmidt - keyboards, vocals
jaki liebezeit - drums, vocals
holger czukay - bass, vocals
michael karoli - guitars, violins, vocals